Now I start the rubber mold making.
First I mix the two mold chemicals together in equal parts, and I now have 8-10 mins to paint it on the clay original before it becomes too thick.
This
is the first coat of six. It is important to smear the rubber over the
entire surface and with the brush ... scrub it over every surface, and
into every crack and crevice. This first coat picks up every little
mark, and in my case fingerprints. This sets the surface texture of the
final casting.
If this
coat does not set correctly, I will have to start over but I wont know
until the entire mold is done, the ceramic shell is made and I cast my
test piece.
Now I wait 90 mins. and add the second coat, wait 90 mins. next coat, etc. until all six coats are done.
I am doing a single piece first just to get the timing correct with the mixing and coating times, as it is all according to room temp. and humidity.
Note to other sculptors
No
one told me when I was in high school that I should pay more attention
in chemistry and geometry and physics classes because as a sculptor I
would need to know what chemicals to mix for the molds, castings ...
what chemicals to use and in what amount for color patinas and timing of
the coats ... how much clay, metal and foam I will need for a piece
based on size and shape ... for large sculptures indoors weight of the
piece based on lbs./cu foot of the materials bronze vs. marble vs.
granite... and the load limit of the floors it is sitting on ...
outdoors I need to be aware of temperature extremes to determine which
patina chemicals to use ... wind directions and speeds in a normal year
for how much torque the sculpture will take and where and how many holes
I need to have for the wind to go through ... if in a rainy and snowy
environment I can't have areas where the water or snow will collect but
will run off...
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